with each successive volume of throne of bloods moon rock compilations, the new york label attains a deeper appreciation of electronic musics most chakra-massaging tendencies, participating in a communal dialogue devoted to a new dynamic beyond the confines of the dance floor.

collectors item! one side high quality black vinyl and other side picture disc. very unique. figure continues its new limited edition hybrid disc x.5 series with a special 2 track offering from johannes heil. >kykeon i< represents an unabashed, smiles-abound floor-filler with one of heil s most joyful and accessible productions to date. a perfect heady cocktail of slamming 90s drums and uplifting housestab melodies, the german producer has really struck a chord here with this future club-classic. the spaced out stepping beats of >kykeon ii< then, sit in welcome contrast to the all out madness of its bigger brother. subtle, intelligent techno formations rise and swell, based around a similar melodic framework to that found in part i. another masterclass from one of the most talented producers in the business.

alles andrs sound and ideas speak loudly and quiet on this wonderful release, sharing another part of his journey and adding another essential piece to his discography and the resopal archive. now he connects melancholy with the necessary push to the dance floor. alles andrs continues to lay the foundation for his experimental combination of deep house and techno with a collection of two mind-bending pieces. -feel it- on the a side is a deep and warm melancholy track which will give you the chills while -tenebrae- fits into every modern dj set. designed as couloured and very limited splatter vinyl.

for the second release on frits wentinks new bobby donny label, he hands over to san2, aka geert schilder. hailing from eindhoven in the south of the netherlands, schilder takes his production name from the building which houses his studio, on the second floor of the san building where the legendary radios and tape recorders were built by philips. with this in mind, it seems to follow suit that his music is mainly produced with analog techniques, incorporating equipment like the roland tr-606, sh-101, sbx-1 and akai mpc 2000xl

deadbeat presents the second vinyl only release leading up to his forth coming album, walls and dimensions. while the first installment featured a lucious extended ambient drone piece over 2 sides, part 2 features extended dubs of 2 of the albums dance floor cuts filled to the brim with the space age dub effects, mournful melodies and rumbling bass lines deadbeat fans have come to expect.

the exotic * sombra india* gets to works with slick guitar licks and a driving beat, enhanced with powerful and captivating vocals from eduardo castillo. already a firm favourite of damain lazarus and luciano, this has been getting a huge response on dance floors this summer. on the flip and the cut-up afro-house * sanura* is highly exotic driving monster of a tune, no messing around, straight to the dance floor!
german native sis shot into the limelight in 2008 with releases on cecille and ricardo villalobos label * sei es drum*, which up until that point had only showcased ricardos own productions. no stranger to the crosstown rebels catalogue, he delivered the first ever rebellion release and then later the * round pen ep* on crosstown rebels in the summer of 2012 and the more recent * slider* on rebellion. other productions have appeared on esteemed labels such as cocoon, 8bit, connaisseur, get physical, with a more recent album on cocolino.

repress !!! since launching in early 2014, the hong kong-based homesick series an offshoot of cliche records has provided disco djs with some of the strongest edits of recent times reverential but floor-friendly reworks that get the right balance between re-mastered original parts and house-friendly additional beats. this third volume comes from borrowed identity, a house producer whose edits and productions have appeared on an impressive list of labels. these four reworks are predictably tidy, soulful and groovy, with familiar disco and soul staples being given loose but heavy rearrangements. picking highlights is tough given the high quality threshold, but we re particularly taken with the vibraphone-laden party shuffle of run run run- and lowslung afro-disco strut of you cant change a man-

bones return with the second release in their new series from a mysterious underground house & techno heavy weight dj & producer..... 3 new top notch house cut ups aimed directly at the dance floor & beyond! vinyl only!!!

shadeleaf drop their eighth release in what is now established as essential catalogue ! joseph caserta (now known simply as caserta) is a multifaceted dj & producer based out of boston, massachusetts, who has worked with razor n tape, soul clap records, midnight riot, bbe, and kon s star time imprint. ricky is a little slice of traditional est coast, soundsystem house - a simplistic but textured workout aimed squarely at the floor, with it s lascivious narration and repetitive hook the jeep mix harks back to those 90 s b2 beats mixes on the big apple s prodigious hip hop output... digging royalty and a bona-fide master of the art of the re-edit kon handles the first of the b side re-rubs stripping things back a little and letting the bump and hustle ride to an altogether more hypnotising and atmospheric destination finally label boss that man monkz adds more than a little sheffield grit to proceedings, amping the rhythm section and laying out a deadly bass line... another shadeleaf sureshot !

he first instalment of the vox populi field works project, melancholic and minimalistic grooves hover over organic soundscapes and live instrumentation. a truly hypnotic and compelling four tracker providing premium, deep dance floor cuts.

vegyn steps up for the fourth release from plz make it ruins. the young, london based producer specilaising in taught, rhythmic, low end dance floor music. expect insatiable, bass heavy drones, astral club bangers that all adhere to a bouncing, pumped up pulse.

lawrence le doux returns to vlek with four tracks of playful, hauntologically minded electronica and techno

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

amazing 2 tracker by rocco caine on kanzleramt. 2 subtle bouncing tunes totally aming on the floor. groover par excellence!

italian prodigy riccardo rizza returns to colourful recordings with another strong yet diverse release. llama opens up with driven percussion and a captivating groove while telluso is more of a late night affair with fat bottom and seductive vocals. on remix duty, marco effe delivers an organic off beat history that will bring some serious heat to the floor - not for the faint hearted!

2015 will prove a benchmark year for scissor and thread with the rising momentum of frank & tony and desert sound colony and now with the introduction after many months of work of their new enigmatic artist, rosas nievas, with a sublime debut ep, every inch of you. like a tip of the hat to herbert, the title track entices with easy piano licks, a cooing vocal and a lush atmospheric enveloping the floor in a warm embrace. flipping the switch, the bounce of opinions propels dancers into hands-up, chicago-style elation, while the rollicking, looping closer, hear me rain, entrances with its early morning psychedelia. completing the package is a breakaway edit from label heads, frank & tony, who transform every inch of you into a sun-drenched, euphoric deep house stormer, in a way only they can do.

ultraphat hypnotic detroit / dub techno infected floor burner - repress 2015

blue mondays is a project of alex ferrazzi and keemani. both vinyl collectors and involved within the italian underground scene from the beginning of the early 2000s, they grew up cultivating different backgrounds, alex was always into disco and old school house music while keemani was more into new wave and rock vibes. merging their backgrounds inside the studio, they come to you with a dance floor oriented sound spanning nu disco to techno, based on dope beats, smoked out samples, deep basslines, and uplifting vibes.

clio has joined truesoul with some superb electronic tracks that are techy and filled with funk.
each track has its own personality, using catchy vocal hooks, synth lines that engrain into your brain and tough chunky drums that keep the rhythm flowing. this ep is one that will take any dance floor to the next level.

cooked straight on the searing streets of glasgow and served up for mind-bending, floor-filling pleasure – golden teacher are back with sauchiehall enthrall, an all-new four track ep released directly by the band. following a slew of snapped-up releases on optimo music, soul jazz / sotu, huntleys & palmers and akashic records – which saw the band meld the worlds of acid-house, leftfield disco, ebm, dub and afrobeat – golden teacher have redrawn the boundaries of their sound yet again, giddily embracing jacked-up uk funky, dancehall, musique concrète and further tripped-out stylings from the badlands of escocia. slithering, rattling and snapping like a snake with a toothache, this ep is further proof that golden teacher are one of the most infectious and unhinged dance acts around at the moment. repress

it’s happening again… after showcasing the up and coming arcarsenal from bass cadet records on their first opus, the london via berlin based record label has found another young, talented and as-yet unknown producer – repo man – for his debut release, repo man has found a perfect home at tinh - deep balearic to weird stripped down techno to floor-filler summer jams, the tinh “anything goes” ethos is fully satisfied on this ep. to top it all off, the record comes armed with the great anaxander on remix duties, transforming “open green” into an upbeat, g-funk house scorcher - those crazy synths will get you throwing that bottle of hennessey high in the air!

floor killer alert. we welcome vincent vidal debut on arts, 3 cuts with surgery basics in techno on prime quality level.

summer is here and sees us returning with true colours, daylight all night long, and a deliberate breath of fresh air. norwegian-italian producer pelifics makes disco, infused with a strong homage to 80s pop, and a little dash of 90s house. the result is melodic, inspiring, kicking, danceable music that leave the listener oscillating between sounds of youthful nostalgia and the future sound of disco. next to the lush ultracrisp feel of the original track, full of light , warmths, thoughtful ideas it s chmmr and fettburger, aptly caled fett birger here to even pushing this more towards the floor

chicago flotation device follow up last year s brutal untitled acid excursions with a lighter but still pounding 12- on their self-titled, self-released imprint. higher is an extended peak-time acid jam, culled from hours of scissor-sythed outtake tapes and 3rd floor studio sessions, distilled into one bubbling, screeching banger. untitled 9 is a subtler take on the cfd sound. a clean 808-led, floating juno jam that drifts undetected in the dark waters off scarborough bay.

subion is a project from the minds of pier giuseppe mariconda and nicola virnicchi, that was created at the beginning of 2013. a 4 hands music project combining digital technologies and analog machines on both live performances and productions. subion sound move beyond the borders of dance floor concept producing a dark techno and mental sound. an electronic concept mixing deep roots with esoteric sounds, psychedelic dub, ambient and drone. the boundaries of classic clubbing techno are transformed and reshaped into new forms placed beyond the borders of sounds including shades coming from contemporary trials.

the fourth release on the martinez brothers’ cuttin’ headz imprint, the bros from the bronx come up with some old school flavored house vibes with their remix of the basement jaxx feat. sneak “sneakin’ toronto”. they snagged the remix package from the veteran electronic music duo as a lead in to the basement jaxx full length album “juno” expected to be released later in the fall on atlantic jaxx / pias. the vocal version features a flurry of different spoken word phrases chopped up and filtered. the dub is for the vocal-phobic members of the public - a bubbly slice of jackin’ house that will brighten the dance floor.

nima gorji returns his label with three new club tools, packed with his trademark tight grooves and hypnotic rhythms. this material is designed to work and drive on any the dance floor.

mr. beatnick returns to dba after a two year hiatus following his synthetes trilogy series, with a new direction and a 4 track ep which represents his most floor-focussed work to date. opening cut stutter is an immaculately crafted deep techno bomb which features the trademark sound familiar to fans of the london producers work, whilst title track formed in the stance and flip-side obsidian morning explore an eyes-down, moody, broken sound which will no doubt ring a bell for devotees of the seminal co-op nights

with a string of successful releases under his belt, both on his own label crossfrontier audio , as well as sudbeat, last night on earth, freerange, and get physical to name a few, the message behind 35 is simple: an album showcasing the different moods and moments of a club night, where warm up tracks tease and build toward pumping peak time floor fillers, holding for a while before gently easing into after hour delights.

yoruba records is proud to present this four-track ep from label newcomer myles bigelow. having honed his craft as a graduate of the berklee college of music, myles is known for releases on his own imprint deep culture music and we’re excited to have him bring his blend of latin, jazz, and tropical rhythms to the yoruba family. the opening track, afro banger, as the title suggests is a dance floor ready afro-inspired ballad. the captivating combination of percussion, rolling bass and clever synth stabs in this track demand peak hour airtime. house rocka is yet another floor-ready tune. with its fat, punching bass and smooth conga –laden beat this track will keep a floor moving at any hour. the b-side of this release opens with spiritual awakening. seemingly led by steel drums and gentle guitar arpeggios, the introduction of a warm bass line takes this groove in a hypnotic direction. finally the title track of this release, turning pages opens up with a smooth string bass line perfect for setting the mood a little deeper. the sensual vocals and subtle yet underlying funk-inspired guitar melody make this groove suitable for dance floors, cars, and home stereos alike.

a glassy-eyed triptych of techno variations from terriers. check *aqua on my mind*. raw to the floor like reservoir dogs. mastered by helmut erler at d&m, out on 12 inch only.

edit select delivers 2 excellent tracks for clr - lights off heads down action all the way, these are repetitive techno tracks perfectly constructed for the floor .. a less is more aesthetic is the main focus as you would expect from tony, but continuation part 1 + part 2 are perhaps his most effective tracks to date! clr is pleased to give you two of chris liebings most played tracks of 2015. a continuation ep by edit select - enjoy!

our afro-latin warrior jose marquez is back once again on basic fingers with two new percussion infected workouts. those familiar with jose marquez s previous works will not be disappointed as this might be his strongest release yet. on quinto y bongo he goes on dark tribal journey with hints of electronic layers and some serious bongo action. the flip track canto del caribe is more direct & to the point with a full on percussion assault and fierce latin chants. a proper floor filler!

a new great piece of music is coming on the macadam mambo imprint, introducing the london new comer george kamm, met last year during albions camp cosmic festival. reinforcing the way things happen since the beginning on mm, george has selected and adjusted 4 cuts of weirdo synth-pop, alternating dance floor killers and experimental nuggets. no need to say that its again high digging level, and extremely well done edits. limited edition.

limited pressing !! pure warmth and a deephouse beauty by east german arrangement perfectionist jan ketel. including a not-from-this-world version by rose records luvless and a collaboration with his mate siggatunez, jan ketels girliewood ep leads you to the warmer days and brings heat to the floor.

featured: four bona fide artists, accomplished and historically rooted deeply in the underground. drivetrain (detroit, usa) – take your time…a grove which the dance floor simply cannot deny. derrick thompson unleashes a bewitching bass line atop a relentlessly galvanizing drum track. flavorful female vocal samples raise the energy to maximum capacity. black jack (aberdeen, scotland) – “the earth grid”…moving just a little deeper, the melody of rich chords and pads guide the constant pulsating bass with effeminate whispers chanting through the occasional twisting synth refrain. fbk (columbus, usa) – “his brief moment of clarity”…boosting the tempo just a tad, a herculean debut production which intelligently punches and stabs dynamic waves of rhythmic sound patterns of perpetual electronic motion. rob belleville (soest, netherlands) – brightened horizon…a first offering on soiree records, spontaneously spotlighting late night ambiance. percussions swing to the bounce of the bass riff as the keyboards chime the infectious theme. -rooted and grounded deep-

operator tracey delves into the world of weirdo acid on the a1. gloomy digi-strings float over over inflated kick drums and bouncey percussion, choice vocal samples punctuate this unusual yet super infectious, squelchy hardware workout. perseus trax drags the machines out and launches an arpeggiated, ethereal assault. progressive melodies and choking hi hats smash into one another whilst a booming 707 kick rattles the bass bins, prime time floor fodder.

alr001 is tech-house based track features one late-night club cut of pure, padded brilliance. the original mix is a meditative, as it blissfully sways between softly thumping bass and euphoric synth snippets. hamburg based well known dj cess (formally from also known from cocoon booking) re-edited the track for dj s with a male spoken monologue that, despite being a tad pretentious, actually kind of weirdly works. fittingly, its the most dance floor appropriate of the bunch and would slip nicely into a bleary-eyed, 6am sunrise set.

as an artist earl is first and foremost a digger and a selector, crafting sets that meander through the realms of soul, boogie, house and far-flung rarities but his ear and aptitude for knowing what the dance floor wants is seamlessly translated to his dynamic output as a producer. this time around the ever-impressive earl jeffers launches his own imprint, melange, with a groove-laden three-track ep the goose earl delivers a lucid dreamlike cut for the new original in the package, bridge street groove, which sit harmoniously alongside the critically acclaimed re-presses of the goose and let it out to form another blistering collection from the welsh native

hot release! riverette is back with another reference this time produced by cliff lothar. old jams die hard #1 stands as a classic and old school release full of techno and nasty acid bass lines. warning! beware of the dance floor! want to miss this one?

the virgo ep is the 4th of mutewax’s non-stop output, featuring french artist cømpass. vindemiatrix is a classy, uplifting peak-time track that sneaks up behind you. if you were thinking of leaving the dance floor. think again. spica lays heavy on the kick-drum & thick bass-lines. it’s a mind-winding trip which reveals a mature twist on the classic acid tweets. arcturus bounces joyfully across the dance-floor and picks up the pace with its hard-hitting acid notes and infectious rhythms. porrima beautifully stirs the emotions - the melodic rhythms predict a sweet future, yet it retains an atmospheric nostalgia for all things which must pass.

for moss co. s fourth release, and first solo artist ep, they look to londons antony difrancesco. antony s selective output on other london labels like fuse and othertones, has seen regular support from the highest echelons of house and techno. his enviable collection of hardware, and seemingly endless flow of creative ideas, are displayed brilliantly on mossv004. the record opens with vio - a mystical track, filled with toms, bass and groove tied together with ethnic strings and an eerie pad. left takes more of an experimental turn, with playful bass bouncing around the spectrum, complemented with analogue squelches. a beautifully warm pad brings an element of romance to the track, and crisp tops keep it dance-floor focused. on the remix, martinez uses his signature concealed sound to devastating effect, transforming track into a sleek, minimalistic, late-night affair.

straight analogue machine jack music for djs to play at the dance floor. tin man, born and raised in california, did a wonderful acid remix and complement this ep.

m.a.m.i. & matthias hoffmann - shut up is the first vinyl release on 4m recordings. the original track embodies everything the label stands for: driving tunes, with groove bass lines and dark synths. straight bouncing minimal tech remixes are delivered straight from mexico and france as well as some pumpin techno and tech house version for some floor action.

long awaited and right in time for summer: sandrow m follows up his much loved -prayervan ep- from 2013. being one of uncanny valley s mainstays since the very start, the dresden based artist once again proves his versatility as well as his knack for synth based melodies with his new ep -kuiper belt rose-. sandrow m seems to love singing along with catchy tunes as much as dancing in the club. we hear it in every note, whether it s the dreamy title track, the elegant -dream controlling- or -next stop hessdalen- which is a veritable dance floor bomb thanks to the rising synths. finally, the aptly titled -miss you again- proves that sandrow m doesn t need a kick drum to move us

sharp & gritty techno, precision tooled for the afterhours, ready to lock it down & pressurize the dance floor. remixes from emote music label boss, whitespace, & detroit expat derek plaslaiko (spectral sound).

it is no exaggeration to say that ultrastretch has accumulated an array of outstanding releases and artists since its creation in 2011. one knows that being as renown a representative of the underground music scene as sammy dee is, he can easily sign music from any established artist he would like, the so called ‘big names’, however, when we look at the past seven releases on ultrastretch, the agenda here seems to be another. what has become an apparent and admirable feature of this label/platform and of sammy dee himself is his clear support for new music from young and yet to be discovered talents. it is on that note that ultrastretch 08 brings you romanian artist crihan. hailing from a small town close to cluj, alin crihan moved to bucharest in 2009 to be more in touch with the underground scene and music in the capital as it poses more opportunities for him to grow and develop. from dj’ing in the most various clubs in his home country, his first steps into western europe as a dj came earlier last year at no less than the legendary robert johnson club alongside petre inspirescu in frankfurt. producing under his real name for the past four years, crihan’s release for ultrastretch brings two tracks, setting the listener into two very distinctive paths. the a side, * uelden* is a dance floor oriented track. the first words to come to mind are groove and rhythm, giving the track a somewhat funky feeling overall. the elements have been crafted carefully and therefore appropriately placed just where and when you need them. by simply starting the track with a bass line and shuffling hihats he slowly develops to a journey that not onlyventures further into groove and rhythm but also in mind grabbing harmonies with deep/airy sounding pads giving it a comforting sense of beauty and obscurity. the b side is called a doua dimensiune, literally translated from romanian it means the second dimension. doing justice to the title the track does generate the feeling of being in another dimension. it is a very deep affair into mind-altering soundscapes, very atmospheric and at times dark and obscure. attention to detail is apparent judging by the overlayering of elements featured in this track. a constant rolling base formed of water tapping ambient sounds give way to harmonies made up of strings and random noises on top.

the 3rd release by mutewax, various artsts 03, shows no signs of letting up. normally playing live, lyon-based pascal roeder smoothes out the rough edges with gentle yet subversive rhythms in “101,” a posh production that hints at what’s to come on his next mutewax ep. mutecell’s “vimana”, like the word itself, embodies multiple meanings at once - the track’s inherent mystery oscillates between emotion and intellect, ancient and modern, serene stillness and a bold drive into the unknown. relocating from denver to berlin, chad kaska, aka daegon, reinvents himself on his first vinyl release, “double speak.” the energetic track fights its way forward, advancing steadily against an antithetical undercurrent, finally assimilating it into its double-crossing rhythm. the founder of “hide & seek” in berlin, denise rabe hits hard out of the gate with her first vinyl track, “loaded.” building up energy, the track finally detonates and expands in phrenic waves across the dance floor.

front left represents a very special corner in a very special spot on this planet. every week the front left people gather together to celebrate techno music. techno is what brings us together and what makes us family to one another. we rejoice listening to it, produce it, talk about it, share it and mainly dance to it. it is incredible how one physical spot creates so such magic and human connection. this label brings the productions of the front left people to the world. in the first release, you will find elad magdasi, a heavy dancer and an emotional producer. his productions are wide-ranged and loaded with a true rave spirit, combining an acid-line treatment and his melodic point of view. in the last two years elad s productions turned to the techno side, and now he feels it s time to finally let his music out. gathering knowledge and figuring out his style brought him to this point. his love for raving is what keeps his mojo going and brings the inspiration to his life. joining the first release is matrixxman (charlie duff), the talented producer who s been shaking dance floor with his hit -protocol- for already 2 years and now releasing his debut album on ghostly. not surprisingly, the connection between elad and matrixxman was also formed on the front left. the first release combines a slick collection of sounds.